#Due South

[gayvecchio]

Happy Birthday, David Marciano! Jan. 7th 1960

Thank you so much for your wonderful portrayal of what has become one of my fave characters of all time, Ray Vecchio!

[gjdraws]

I love how everybody watches due South and then has an effing breakdown after Victoria's Secret

[variousqueerthings]

rewatched "witness" and it struck me that there's a compelling case to be made that fraser stays in Chicago for ray and ray never finds out about this...........

[sammaggs]

3x01 Burning Down the House | Continuous

THIS IS ALL ONE SHOT!!!!!!!!!!! THIS IS ALL. ONE SHOT.

A nearly two-minute walk and talk in the precinct set with NO CUTS. For TWO MINUTES.

This is TWO FULL YEARS before The West Wing, which popularized the long hallway single shot walk and talk.

Genuinely hard to convey how difficult a shot like this is to choreograph with so many different moving pieces. As one continuous take this shot is WILD. It means everything—including the push in to Ray and Elaine, the pull back out to include Fraser stepping precisely back into frame, the ACTUAL LIVE DOG, the walk into the bullpen with all the extras cutting in front of camera, the gag with the ink—all of that is in ONE GO, NO FUCK UPS.

INCLUDING!! One of the best pieces of acting in the ENTIRE SERIES right here:

THE love at first sight moment. In the MIDDLE of all this.

My favourite thing about this is imagining Gordon Pinsent standing patiently in the bullpen waiting for his moment for the 45 times it took to get the first ninety seconds of this shot clean.

Oh I will never be done being obsessed with this show. The level of stagecraft involved here alone is insane. Paul Gross the man you are,

Happy 27th birthday today, Burning Down the House (Sept. 14, 1997)!! You are still iconic🇨🇦🍁

due South Long Shots [one] [two] [three] [four]

[blueniverse42]

A while ago, I found this pic, and then came across this on TV tropes:

Leslie Nielsen, who played Sgt. Buck Frobisher, was the son of a Mountie in real life. During his first appearance on the show, he took Paul Gross aside and told him that he was lacing his boots incorrectly and then proceeded to teach him the proper way for a Mountie to tie his shoes.

I find the whole quote extremely endearing (and also vividly Canadian).

P.S. If you want to see more Due South stuff, go check out the fest for the 30th anniversary! There's a lot to see! @ds30below

[hexenmeisterer]

WAIT HELLO I WAS JUST INFORMED THAT "VECCHIO" MEANS OLD 😭 his name was old ray from the start 😔

post-Ray Wars due South fandom:  we respectfully refer to each Ray by their first and last name or initial, so we are all clear which one we’re talking about and do not connote any value judgment or sleight towards either Ray–

due South writers: wait to you mean

or

[jedusaur]

I know I'm 25 years late to the party but I'm finally watching Due South and this is the hardest I've laughed in MONTHS

[eaion]

DUE SOUTH S03E02 - Eclipse

[gayvecchio]

I was inspired by this great post by @pigtailedgirl to share moments that cemented my love for the Fraser/Vecchio pairing.

I really do enjoy watching basically every interaction these two have, no matter how small, so choosing key moments is difficult. But here are a few moments that are never far from my mind and make me want to climb the walls whenever i think about them.

In no particular order...

The diner scene in the pilot where they both talk about their respective fathers. Also, how did Ray know Fraser was there? Was the diner near the consulate? Did Ray just wander around looking for him???

OMGGGG!!! Ray's smile after Fraser tells him he doesn't want him to go. He's so happy that Fraser wants him stay, especially since Fraser has been so depressed (understandably so) and distant in the hospital. The cracks are mending. Their relationship is healing. (So many MOMENTS in this ep -- Ray taking a bullet for Fraser anyone??? Even Stevens?)

This scene. THIS SCENE in Pizza and Promises. Fraser's quiet desperation throughout when the car is sinking and Ray is in the trunk. I think it's the first time we see Fraser really ruffled, scared for someone else, for Ray. He is usually so composed no matter the danger of the situation, but I think that's when he feels in control of it to some degree, which he doesn't here. This time Ray is in danger and it wasn't a part of Fraser's plan. For the first time Fraser is confronted with the idea of losing Ray and realizing that Ray is someone he is terrified to lose.

The way he grips his arm arm here, the intense expression asking if Ray's okay. And then Ray's dazed, smitten little smile when he says "yes." He's used to Fraser being the hero, but this time he is Ray's hero. Maybe he sees a bit of what I do in Fraser's expression, sees just how important he really is to Fraser.

This was the moment that made me whisper "oh, no!" to myself because I knew I'd never be the same. I knew I was becoming lost to the Fraser/Vecchio void and there was no way back.

This one is not strictly a F/V scene, but yes it is. Because I still not and will never be convinced that this whole conversation in Heaven & Earth isn't about Ray being in love with Fraser. And the fact that Fraser is there eavesdropping!!! (never getting that merit badge back now, Benny).

I've ranted about this before and I'm sure I will again, but Ray's behavior in this whole episode just make no sense to me unless he is jealous. The whole speech about Ray being afraid to dream and reach out for what he wants and FRASER'S RIGHT THERE, so close but impossible to touch.

Fraser running after Ray in the style of many classic romantic heroes before him. COME ON!

North is like god-tier F/V goodness from start to finish, but this moment with Ray carrying Fraser over his shoulder while SINGING AND DANCING is an absolute highlight. Insane behavior, 10/10. Perhaps, Ray is just thrilled to be so close to Fraser's butt despite the circumstances.

Fraser and Ray doing their grocery shopping together is so special to me.

I'll end this with the scene from bdth. I have nothing to say. I'm sobbing too hard. Anyway, I think it speaks for itself. Even my mother could see that they were in love.

I have to cut myself off here otherwise this post will be a mile long. Even now I am thinking of so many other moments that I adore. I guess that's how I know how much I love them, every moment seems special. I didn't pick any of the smaller, sillier moments, like Fraser being offended by Ray running stop signs or running over saplings, or 'She shot you in the hat?' but I love those infinitely as well. That's the thing about Fraser and Vecchio, they work on every level, from the absurd to the devastating. Paul Gross and David Marciano's acting and chemistry carry every interaction and facet of the Fraser/Vecchio relationship so well that I can't help but enjoy every moment they're on screen together.

[gjdraws]

have a fic im not writing have bags I'm not packing but fraser blushing in Situations I got time for

[liminalmemories21]

Apparently there's going to be a Law & Order: Toronto, and I really desperately need them to make the world's most niche joke and have a detective from Chicago who came to Toronto on the trail of the killers of his father, who stayed - for reasons that don't need exploring at this juncture - because In the criminal justice system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are their stories.

This is a post that will make sense to . . . I think actually literally nobody on my feed, but is nonetheless really entertaining. I promise.

[tgtbata]

oh canada for @flownwrong 💛🎂

[mortmere]

"The Sea Wolf"

A scene from an imaginary naval adventure, featuring the Royal Navy officers Fraser and Kowalski and the courageous sea wolf Diefenbaker who has (again) saved the day. Wolves are very good swimmers btw, unlike Ray. 

I had long planned some kind of due South Age of Sail AU picture with Fraser and RayK, just to get them into these uniforms. My original plan was, of course, to let the boys kiss (in a more tropical setting!), but the good boi Diefenbaker wanted to be in the center of things and all Fraser gets now is wolf kisses.

The uniform style is based on the later seasons of the Hornblower TV series.

[thepunkpanther]

"Does this conversation seem strangely familiar to you?" "Oddly, yes." @ds30below's 30 BELOW FEST: canon appreciation week DUE SOUTH x BUTCH CASSIDY AND THE SUNDANCE KID

[sammaggs]

1x02 Diefenbaker’s Day Off // 2x08 One Good Man // 2x13 White Men Can’t Jump to Conclusions // 3x01 Burning Down the House | Normalized

due South does a main character re-casting better than any other show on TV, and they do it by playing with television's own accepted meta-narrative.

Recasting a character has a long tradition in television, creating a viewership that knows and understands the storytelling short form at play. As viewers, we realize that sometimes actors aren't available to reprise a role (or simply aren't interested in it anymore); but, for the sake of the story, sometimes the show needs that character to come back. So we lean hard into suspended disbelief and just go with it. After all, the characters in the show accept the parareality of it—why shouldn't we?

Of course, the most famous example of a character recast would be the Dick/Darren disaster on 1960s sitcom Bewitched, when Dick York was unceremoniously replaced by Dick Sargent in the role of Darrin Stephens. ("The Dick Wars" would have gone absolutely insane).

it was... not successful

But they weren't the only ones to do it. Aunt Viv from Fresh Prince, Becky from Roseanne, Daario Naharis from Game of Thrones, Greg Serrano from Crazy Ex-Girlfriend (pain, agony)—recasting characters but maintaining the fiction is a storied tradition in TV. New actor, same character; totally normalized.

And shows continue to do it, even today, with a—uh—similar dedication to fucking it up doing it poorly.

why must we be punished like this

due South even engages in this trope itself in season 2, when hard-hitting investigative journalist Mackenzie King is recast and they don't even try to find an actress who looks similar. In 1x02 Diefenbaker's Day Off, she's played by brunette Madolyn Smith-Osborne; in 2x08 One Good Man, she's been replaced by blonde Maria Bello, and nobody talks about it.

yeah i'm absolutely the same person, obviously

Everyone diegetically (within the world of the show) is just like, oh yeah, that's hard-hitting investigative journalist Mackenzie King. Totally. Only non-diegetically (outside of the world of the show) does the viewer go "No, that's not the same person." Internally, the fiction proceeds as usual.

So what would happen if, say, Samantha Stephens turned to Dick Sargent and said "You're not Darrin," when everyone else in the show continued to treat him as though he was? Or if Jaskier told Geralt that he knows he's not actually Geralt, and everyone treated him like he was delusional?

Or if Fraser, even, had recognized Mackenzie King as someone entirely different, and everyone treated him like he had a hole in his bag of marbles because of it? Of course that's Mackenzie King; even her boss knows it. No, she's never been a brunette. What are you talking about?

And that's exactly what happens in Burning Down the House.

the rays vecchio

Diagetically, everyone else treats Callum Keith Rennie's character as though he is Ray Vecchio. "Oh, good, you found him," says Det. Huey. Elaine, Franchesca, literally everyone else both at the station and outside of it treat Callum Keith Rennie Ray Vecchio as though he is David Marciano Ray Vecchio. They're acting exactly as any other TV character would in the face of a recasting: as though absolutely nothing had happened.

Except for Fraser.

Fraser's specific brand of parareal Canadian plot magic means that he's immune to the recasting blindness; he's acting as an agent of the viewer, voicing our non-diegetic concerns. Fraser is (as he so often is) a character with one foot outside of the narrative. He's just always been like this and he doesn't know why.

oh this man is infuriating and hot, fuck. shit.

And for a character who already thinks he is likely insane (he sees the ghost of his dead father! He communicates with his deaf half-wolf! He is instantly committed to a mental institution upon voicing the actual true story of his life!), this is very extremely distressing. Fraser thinks he's actually lost it this time, because everyone else in due South is acting like a TV character, and Benton Fraser is acting like a viewer.

This is so brilliant on so many levels. They just fully lampshade the damn thing. It allows our protagonist to speak for disgruntled or confused viewers. It engages at a postmodern level with television as a medium with a storied history (and due South is incredibly postmodern; nearly every episode is or contains a reference to another piece of media). It's written from the perspective of someone who loves and is knowledgeable about TV tropes.

And it gives us an entirely new Ray while still maintaining respect and loyalty to the original, something no other straight (lol) recast could ever do.

Genuinely one of the most clever, witty, well-crafted hours of television ever made. I could write essays about so many different parts of it. And I guess I will!!!!!!

It’s Burning Down the House week in our dS Stacked Rewatch!

[ds-headcanons-accepted]

A question about the episode Eclipse has reached this blog from the ether! This week's question is:

Why does Ray Kowalski have a giant shamrock on his fridge?

Remember, kids: there are no wrong answers except "Ray's apartment is a dump" and "Kowalski is an Irish name". At least one person (me) will find your idea interesting, though I'm willing to gamble (not with money, mind you) that I won't be the only one. If you're shy, try sending your response as an anonymous ask for me to publish!